Less Common More Sense / Issue 20 Out Now!

Our Borders Issue (20/Spring-Summer 2011) is now available! Get your free copy at the UAL Student Union, 272 High Holborn, London WC1V 7EY, or at a UAL campus near you.

Occupying Spaces: Central Saint Martins at Trinity Buoy Wharf

Occupying Spaces: Central Saint Martins at Trinity Buoy Wharf
Text and photography by Laramie Shubber

For the past two weeks, the 1st year fine art students of Central Saint Martins have been occupying spaces in the East End’s Trinity Buoy Wharf to create site-specific work. The two weeks were an opportunity for the students to undertake, and experience, a mini-residency.

The students could use one of two interior spaces as well as the outside space. A nearby skip nearby provided much of the materials; with that, the students were free to do as they wished (well, almost!)

Some opted to use materials from the site to create sculptures whilst others made use of TBW’s riverside location for video, photography and installation work. Others responded to the site unconventionally by attaching themselves to different parts of the site to literally become part of Trinity Buoy Wharf. The basement housed most of the videos and projections as well as a slide (yes, really), whilst a second warehouse was home to sky-high sculptures. No area was left untouched; each corner, nook, and cranny was seen as a potential space for art.

The unusual location of Trinity Buoy Wharf mixed with its unique identity created an unfamiliar but inspirational setting for the students to work with. Unfortunately, this week’s sun was outlived but luckily the blustery winds and rain didn’t put off visitors.

The private view was a mixture of art, drink and music, and really, what more do you want from a night? This evening showed just what can be achieved in a short space of time with few resources.

Turning Things Inside Out: Graduate Shows at LCC

Turning Things Inside Out: Graduate Shows at LCC
Text and photography by Xanthia Hallissey

ROUND ABOUT is a four-part exhibition showcasing the work of graduating students from LCC.

Phase two is called INSIDE OUT, the first of the graduate shows (after WIDE OPEN for Foundation Art & Design students). It features work from five different courses Book Arts & Design, Film and Television, Photography, Photojournalism and Sound Arts & Design, which kicked off on Thursday 2nd June 2011 with the private view.

In true ROUND ABOUT style LCC was full of visitors walking around hoping to catch a glimpse of the next big thing. Students did not disappoint, the range of media used was impressive, the variety of subject matter even more so. The Photojournalism students were especially good in this sense. Natalie Naccache’s photographs make a social comment about the much-unpublicised plight of ‘Single Fathers’. Her exhibit was reminiscent of the home itself, using different sized frames and a cloth covered table presenting the single father home as a different kind of normal. Rather than documenting humans, Lucie Jordanna Cohen decided to document the sky at night in her astronomy series, ‘A Space in Time’. Lucie juxtaposes the touchable, man-made elements of Earth (brick, artificial light, parked cars) with that which is entirely out of reach (moon, stars) to create an otherworldly experience full of tension, but simultaneously peaceful.

Little pocketed rooms throughout INSIDE OUT ensure the exhibition is full of surprises. One Space is dedicated to Su Lin Booker’s ‘Recorded Fragments,’ which uses projected imagery and mirrors to fragment a family photograph. As well as showing a disrupted, evolving image separate audio tracks are strategically placed around the room allowing the viewer to hear the voices behind the family experience. It’s a clever device that lends itself well to the separate-togetherness of family, and there is a beauty to it too.

Another individual room holds Sophie Hall’s ‘When Eyes Touch’, where two women are shown on screens apparently naked and staring at eye to eye, an experiment in trust and not looking down. The set up of the room makes the piece more powerful; the screens are placed on opposite walls allowing the viewer to turn from screen to screen wondering who will break first. Across from Sophie’s work lies a purpose built person sized gazebo tent by Marianna Kaye called ‘Joanna’s Story’. Inside viewers are encouraged to sit, listen to the story and watch changing light projections of planets play out, literally bringing the story to life.

The use of different media in the exhibition is expansive. On the theme of identity, Christian Anderson’s ‘Blackness Confirmed’ stacks up different sized televisions relating to parts of the face, and they change constantly. It’s a positive, affirmative statement about equality, and it’s fun to watch too. Jatinder Kailey’s ‘Exoticism Constructed: From Southall To Punjab’ uses a painted background of a distant land and shows it pinned up in more familiar surroundings. Jatinder explores the storytelling element in understanding her own Indian heritage, and tells that story back to the viewer.

As well as installation projects, INSIDE OUT is full of more traditional approaches to media. Constantin Cerdan’s ‘Channel 951’ is a series of three photographs each with a little something missing, for example the central image of a sofa has a cushion missing. It challenges what we think we know and asks the viewer to look twice. Jessica Smith’s laser cut type in Book Design tells a story in an open and transparent way, so it makes sense to see it on a wall and not closed in a book instead.

Back in Photojournalism Hannah Boatfield took a trip to different artists studios in her exploration of  ‘Artworlds’, it is project that looks at individual expression and command of a space. Essentially, that is what INSIDE OUT is all about, it’s a show giving students the chance to show viewers what they’ve been up to, but more than that it’s about turning perceived notions of art and design INSIDE OUT.

Artists with websites:
Natalie Naccache: http://www.natnacphotography.com/
Lucie Jordanna Cohen: http://www.luciejordanna.com
Hannah Boatfield: http://www.hannahboatfield.com
Marianna Kaye: http://www.mariannakaye.com

Inside Out
BA (Hons) Book Arts & Design
BA (Hons) Film & Television
BA (Hons) Photography
BA (Hons) Photojournalism
BA (Hons) Sound Arts & Design

The exhibition was open to the public: Fri 3 – Wed 8 June 2011
Venue: The Gallery, Upper Street, Lower Street, Well and Atrium Galleries, LCC, Elephant & Castle, London, SE1 6SB

LCC Summer shows run until 8th July. For more information please check the events page.

A is for Jewellery

A is for Jewellery
Text by Xanthia Hallissey
Photography by Anna Johnson

A Alicia is a jewellery company with a difference. On setting up her own practice, founder Anna Johnson didn’t want to litter the market with plastic, throwaway items. She took the idea of waste literally, sourcing vintage and fair-trade fabrics to make eco-ethical jewellery and a homeware company with heart. When asked about what motivated her to set up the company, Anna replied: “I’ve always wanted to be able to feel that I’m doing something positive in the world.”

Anna is a graduate of Art History from the University of Kent, but the practice side of her career was really developed during her MA in Fine Art at Central St Martins. Now making jewellery, she nicely synthesises her art history and fine art backgrounds. Anna always felt inspired to stand out of the crowd, saying that the idea to start an ethically aware line felt natural. She explains: “In a way it didn’t really feel like a choice, I just couldn’t stomach the idea of running a business who’s supply chain involved exploiting other people or the environment.”

Although Anna is ethically aware, the aesthetic of her work is still important to her: “Of course, there’s the ethical side of knowing how and by whom something is made, but then there’s also the sheer joy of living with or wearing beautifully, thoughtfully handmade products.”  By using textured materials such as handmade beads, vintage kimono fabric, pompoms, in clear, bright colours, the pieces fit in comfortably with current fashions. Anna lists her inspiration for the line from diverse sources such as Japanese craft to simply having the television on whilst sewing; these wide-ranging influences highlight the sense of fun evident in her personality and in her work.

By going back to process and thinking about how things are made every step of the way, Anna is part of a growing number of designers putting production first. Her ethos is inspiring, believing that each of us has the opportunity to be ‘green’ with our work by thinking of the making at the offset. “I also truly believe that all our tiny individual actions really can be part of a bigger change,” says Anna.

Reflecting on her studies, Anna muses: “It’s hard to describe quite how much my Art History studies have influenced my creative practices – they gave me such a wonderful source of reference points that play a part in everything I do.” Hinting at a holistic view of life, A Alicia is not just a business prospect but something Anna really believes in.

For organic, fairtrade fabric visit the Organic Cotton website.

Visit Anna’s online shop, visit Anna’s mainline and wedding websites.

Hand Made: Japanese Culture and Craft

Hand Made: Japanese Culture and Craft
Text by Andrea Fam
Film by Hayato Fujioka

Hand Made is a 5 minute short film that highlights the importance of the use of the hands in Japanese culture. The video focuses on the skilful craftsmanship of origami and straw talismans, and is shot in both Japan and the UK. It presents the different ways in which the craft of origami differs in practise in these two countries.

Directed by Hayato Fujioka, a second year student on the (BA) Criticism, Communication and Curation course at Central Saint Martins College of Art and Design, Fujioka describes this film as “a poetic expression of the pleasures of the culture of hand made items, which in the case of origami, began in the east and has spread to the west.”


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